Christopher Wool Guggenheim

Review: Christopher Wool Exhibit at the Guggenheim Museum

1Christopher Wool was born in Chicago in 1955. He settled in NYC in the 70s.  Here he was influenced by the punk and New Wave scenes. He worked tirelessly in painting when everyone was screaming that the medium was outdated. From the beginning his works were quite monochromic. A white background covered with a paint roller — usually black, produced graphics and flowers blended into abstract mélanges. He spent a lot of time on the streets of New York taking photographs. Stray dogs, fish tanks, telephones, architectural details, empty streets, empty shopping cart, trash alleys, abandoned furniture, mail boxes, graffiti to mention a few subjects. Particular objects particularly selected, but nothing in quite in particular — really. Never people, always objects, segments of space and time. Lots of dogs.

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His works are arranged loosely chronologically as you go up the epic F. L. Wright rotunda in the Guggenheim Museum. The show draws you into the minimalistic abstraction and sources of Wool’s inspiration. ‘Sell the house, sell the car, sell the kids’ is a notable example, the sentence derived by the last letter of colonel Kurtz to his wife in the movie Apocalypse Now. ‘Trbl’ and ‘Fool’ considered auto-portraits of the artist as the four letters fill the entire canvas. ‘You make me’ blank, is a piece I find poetic, for it unites us all under the umbrella of say (I am speculating here) ‘happy’. ‘The harder you look the harder you look’ that one makes me smile every time. And if there is a solution to life, I believe it is smiling.

wool_painting_x-2012-771Smiling is what Wool did when his studio was devastated by fire. He put a new film in his camera and proceeded to make a documentary art piece on the subject ‘Incident on 9th street’. An admirable approach to this major mishap, don’t you think? Whoever said that the ride on the edge of the wave is a short one wasn’t talking about Christopher Wool. For he has kept a firm balance while pushing art to the edge of imagination. What does his art mean? You might as well ask what life means. It means that we have to live up to the edge of our abilities. It means that the grass is not greener on the other side. It means eat your ice cream America because soon we are all going to be in your belly. It means don’t think about all these things you feel, smile.

The Christopher Wool Exhibit now through January 22, 2014 at the Guggenheim Museum

-Milen Vasilev

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